Clerks and Courtiers:
Chaucer, Late Medieval Literature and the State Formation Process.
By Andrew James Johnston. Heidelberg: Universitätsverlag C. Winter,
2001.
Clerks and Courtiers makes two ambitious and intriguing claims for late
medieval English literature. First, it argues that the question preoccupying
medievalists for nearly two decades what is the social role of fourteenth-
and fifteenth-century English literature?— is really the question
of how English poets participated in the process of state formation. This
process was characterized by the rise of a new class of clerks, who acquired
political power through the display of cultural capital. By "cultural
capital" the author is referring to a wide range of medieval literate
skills, from record-keeping to political philosophy, ultimately derived
from university learning. This clerkly or "intellectual" culture, the
social product of what the author calls the "class of Boethius" (p. 316),
is distinct from aristocratic culture insofar as it depends upon a "virtual
possession" both visibly acquired and seemingly available. As the author
explains, "while aristocratic culture seeks to hide its constructedness
and aspires to a self-image of naturalness . . . intellectual culture
quite often consciously displays its acquiredness . . . clerkly culture
styled itself as a visible achievement" (p. 312–13). And whereas
medieval aristocratic culture claimed exclusivity as a mark of social
distinction, clerkly culture pretended to universality anyone, theoretically,
could acquire the education necessary to wield power within the "social
field" of clerks.
Emily Steiner
University of Pennsylvania |
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